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Saints Row: The Third is a game in the Saints Row series. The game begins with the player "on.

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Saints Row: The Third is an video game developed by and published by. It is the third title in the series. As in the previous games, the leads the Third Streets Saints gang in a against three rival gangs using a variety of weapons and vehicles in and play. It was released on November 15, 2011 for,, and.

Game development began by late 2008. There was high staff turnover from the previous Saints Row team with one-fifth of the final 100-person staff having worked on a previous title in the series. They aimed to improve on the series by giving the game a coherent tone, and found it in films such as and the game's signature bat. Saints Row: The Third was built using the physics engine.

The game received "generally favorable" reviews, according to video game review score aggregator. Reviewers noted its general zaniness and praised its customization options. Critics thought the setting was insipid and that its humor occasionally fell flat, and others thought the game perfected the Saints Row formula. It was a nominee for Best Narrative at the 2012 Game Developers Conference, an Editor's Choice, and a recipient of perfect scores from and . A complete edition including the was released a year after the original release, and its planned expansion became the game's sequel, .

Contents

Gameplay[]

Saints Row: The Third is an played from the in an, such that players explore an unrestricted environment. Similar to the premise of the, the player's goal is to lead the Third Street Saints gang to overtake its rival gangs in the city. While the protagonist is the same, the game introduces a new setting, the city of, with its new gangs: the Morningstar, Luchadores, and Deckers, together known as the Syndicate. Once The Syndicate is defeated, the government's Special Tactical Anti-Gang unit (STAG) is summoned to quell the Saints.The Third is the first in the series to intertwine the narratives of its three-gang structures, and also presents the player with story-altering decisions.

Screenshot of gameplay: a vehicle explodes and ambient challenge progress is displayed on the right

The series has historically been considered a that later positioned itself as more "gleefully silly" in comparison. In combat, players select weapons from a weapon selection wheel, including regular,,, and alongside special weapons such as and a -in-a-jar. Player include running attacks such as and a purple bat. Players may use vehicles to navigate the city, including a hover jet (known as the F-69 ) and a pixelated retrogame tank that are unlocked through story missions. Once special vehicles are unlocked, they are in unlimited supply and can be delivered directly to the player-character's location. Player actions are intensified with what Volition calls the "awesome button", where for example the player will divekick through the windshield into the driver's seat of a car. The main story campaign missions can be, or either online or via offline. Some elements are added to the campaign for the second player. There is no competitive multiplayer, but a "wave-based survival mode" called Whored Mode that supports up to two players.

Players customize their characters after the introductory mission. bodies, dress, and vehicles can be customized, as well as home properties. Players can additionally share their character designs in a Saints Row online community. Apart from the main story missions, there are optional diversions to make money and earn reputation, such as Insurance Fraud, where players hurt themselves in traffic to maximize self-injury before a timer expires, or Mayhem, where players maximize property destruction before a time expires. Some of these diversions were introduced in previous Saints Row games. Activities serve the plot and are positioned as training the player-character or damaging the Syndicate. They can also be repeated. Outside of structured diversions, players are free to make their own fun by purchasing property, shopping for items, finding hidden sex doll and money cache collectibles, and wreaking unsolicited havoc. There are also "flashpoint" gang operations that grant respect when disrupted. Attacking others increases the player's notoriety level, as depicted with stars.

Saints Row: The Third introduced and weapon upgrades to the series. Most actions in the game come with incentives in the form of money and respect (reputation). Money buys land, weapons, and other upgrades, and respect is a kind of that can unlock player abilities like "no damage from falling" or "infinite sprint", as well as upgrades to the player's gang member support. In turn, players receive further incentive to nearly miss car collisions, naked through the streets, shoot others in the groin, blow up Smart cars, and kill mascots in ambient challenges to earn more respect. Lack of respect does not hinder story progress, as it has in previous games. Player progress and unlocks are managed by an in-game menu that also lets the player call for vehicle deliveries and backup. The computer-controlled support will also dialogue with each other.

Five years after the events of Saints Row 2, the 3rd Street Saints have merged with the Ultor Corporation to become a media and consumer empire, with assets that include an energy drink, a lifestyle brand, and a chain of clothing stores. While robbing a bank to promote the upcoming Saints Row: The Movie, the Boss and top lieutenants Shaundi and Johnny Gat experience unanticipated resistance from the staff and are arrested by corrupt policemen. They are turned over to Phillipe Loren, the mastermind behind an international criminal enterprise known as the "Syndicate", who wishes to make a deal with them, seeing the Saints as a threat. The Saints refuse and stage a breakout, with Gat seemingly sacrificing himself to allow Shaundi and the Boss to escape.

They land in Steelport, a city ruled by the Syndicate, which is dominated by three gangs: the Morningstar, led by Loren and the DeWynter sisters who are in control of Steelport's sex trade, the Luchadores, a Mexican masked wrestler-themed gang led by undefeated wresting champion Eddie "Killbane" Pryor, and the Deckers, a unit of talented cyber-goth hackers led by British programmer Matt Miller. With no money or weapons, the Boss contacts another lieutenant, Pierce Washington, and has him provide manpower for a raid on the city's arsenal. Using their new firepower, the Saints enter Morningstar territory and begin attacking their interests. They then hunt down Loren in his own building, freeing Oleg Kirrlov, a former KGB agent turned test subject for the Syndicate's cloning initiative. After the Boss kills Loren by crushing him with a heavy chandelier, they either destroy the building or claim it for the Saints, declaring victory over the Syndicate regardless.

During a funeral procession in Gat's memory, the Luchadores stage an ambush and kill several dozen Saints. To retaliate, the Boss seeks out individuals with grudges against the Syndicate. The search nets Kinzie Kensington, an ex-FBI agent targeted by the Deckers for investigating them, Zimos, an old pimp who lost his business to the Morningstar, and Angel de la Muerte, Killbane's embittered former wrestling partner. The Boss helps Zimos reestablish his prostitution ring, wrecking the Morningstar's influence to the point where Killbane tries to wrest control from the DeWynter sisters, who had inherited the gang from Loren. After the elder sister, Kiki, is murdered by Killbane in a jealous rage, her sister Viola defects to the Saints. Meanwhile, the federal government, under pressure to confront the growing lawlessness in Steelport, forms the Special Tactical Anti-Gang (S.T.A.G.) task force under the leadership of Cyrus Temple and Senator Monica Hughes. Armed with highly advanced technology, STAG puts the city under martial law until order can be restored.

Next, Kinzie leads a successful effort to drive the Deckers out of Steelport, causing Miller to abandon the Syndicate and return to his home country after losing a virtual fight to the Boss. Finally, alongside Muerte, the Boss enters Murderbrawl XXXI and humiliates Killbane by defeating him in physical combat. With his image shattered, Killbane goes on a rampage through Steelport. While working to contain the damage, the Boss is informed that STAG, in an attempt to discredit the Saints, has rigged the Steelport Monument with explosives, leaving several kidnapped Saints, including Shaundi, Viola, and Mayor at the site to frame them. At the same time, Killbane is fleeing the country by private flight.

In the first, canonical ending, the Boss lets Killbane escape in order to disarm the explosives, killing Cyrus's lieutenant Kia in the process. With STAG's crimes exposed, the Saints are hailed by the people of Steelport as heroes. Killbane is subsequently killed while trying to organize an invasion of Earth from, but the whole thing is then revealed to be the final scene from "Gangstas In Space", a film financed by the Saints and starring the Boss. In the second, alternate ending, the Boss kills Killbane, but the destruction of the monument gives STAG the opportunity to launch "Daedalus", a floating aircraft carrier helmed by Cyrus himself. After destroying the Daedalus with a series of bombs, the Boss, now armed with STAG weaponry and equipment, declares Steelport an independent nation ruled by the Saints.

Development[]

"I feel like I'm playing something unlike anything else—we know what Saints Row is now."

Design director Scott Phillips on handling the Penetrator (dildo bat) for the first time

Saints Row 2's design philosophy was to "put everything... into the game", which made for a disjointed title with varied tone. Design director Scott Phillips said the series' legacy of lightheartedness made the sequel's tone hard to define. The development team withstood a high turnover between the two releases, with only a fifth of the final 100-person team having worked on a title in the series before.Saints Row: The Third was in development by September 2008 as Saints Row 3. For its first six months of development, the team tested a choice-based adventure concept featuring an infiltrating the Saints, which was dropped for not aligning with the spirit of the series. Now without a vision, the team made a "tone video" with film segments and songs that would define the new title. The final version featured bits from , , , and 's "". The team worked in this direction to find a personality for Saints Row: The Third, which it found in its signature "dildo bat". The idea started as one-off mission-specific weapon and the artists ran with the concept. Their design mantra became "Embrace the Crazy; Fun Trumps All".

They came to the conclusion that "everything had to be 'over the top this time around'" so as to distinguish Saints Row: The Third from other open world titles and to make the franchise into a. The team increased to check for the action's pacing and "setpiece moments" within its overall flow. Producer Greg Donovan considered Saints Row: The Third a reboot of the franchise, "cohesive" in a way the prior two "semi-serious" entries were not. Other than "over the top" themes, the team wanted "holy shit" "water cooler moments" that players would remember forever and want to share. Phillips also "didn't want the player to be a dick".

The city of Steelport was designed such that the player could identify locations without needing a, with a spatially recognizable skyline and iconic gang vehicles in specific regions.

The title was not shown at the 2010 (E3) with the explanation that the company had spent the year "rebuilding the technology", but a tie-in movie was mentioned as in production and a Saints Row 3 announcement was expected at the December.Saints Row: The Third was finally announced officially in March 2011. The team wanted to include many different features and items, so scoping the final product became an issue. They laid er sucht sie lustige anzeige out their ideas on a schedule and began to cut until over "4000 man-days of scheduled work" were removed, including features such as (called "freegunning") and a. Competitive multiplayer was removed due to its lack of popularity in the previous series entries. In retrospect, Phillips said he wanted to remove more. The studio borrowed people from other parts of the company to finish the project. Writer Drew Holmes expressed the difficulty in determining what was too risqué for the game. In keeping with series advertising, Saints Row: The Third included a,, in the production as a character voice. Other celebrity voice actors include and.

The development team also pre-visualized rough drafts to sketch ideas for others to advance. For example, the introductory airplane level was pre-visualized two years prior to its creation as a demonstration for the development team and publisher. Levels were built in Volition's Core Technology Group (CTG) editor, which was continually built in the four years preceding release. Like the other two titles, Saints Row: The Third was built in the physics engine with customizations. The engine let the team build vehicle drifting physics and the VTOL aircraft. The studio considered the ' engine but chose against it due to the implementation's difficulty and not wanting that degree of destruction. Phillips gave a game development postmortem at the 2012, where he advised studios to let development team members run with their ideas. Volition began to add support to the title and series in mid 2013.

Audio[]

Saints Row: The Third has a licensed soundtrack available as radio stations when driving in vehicles. Players can switch between the playlists, which range from to to,, or customize their own station based on their preferences. The original soundtrack was composed by Malcolm Kirby Jr., who had previously worked on 's soundtrack. It was released through Sumthing Else Music Works alongside the game via and. Kirby said the series' over-the-top nature influenced the score, and that he was a huge fan of the series before he received the opportunity. In his composition, each gang has a theme and specific characteristics that range from "menacing orchestral to gangster hip hop to heavy metal".

Marketing and release[]

Promotional car wash event at E3 2011

The game was released for,, and simultaneously on November 15, 2011, in the United States and Australia, and three days later in the United Kingdom. The November 17, 2011, Japan release had the veins removed from the Penetrator weapon (the three-foot long phallus bat) due to regulatory restrictions on depictions of. In lieu of exclusive game content scheduled for the PlayStation 3 version that did not ship with the game, early North American and European players who purchased that version received a complimentary download code for Saints Row 2. The summer before Saints Row: The Third's release, THQ pledged to support it with a year's worth of downloadable content. Around the time of release, Danny Bilson of THQ announced that Saints Row IV was already in planning.

Those who preordered the game received Professor Genki's Hyper Ordinary Preorder Pack, which included Genki-themed downloadable content (a costume, a vehicle, and a weapon). A North American limited edition box set release called the Platinum Pack included the preorder content, the soundtrack, and a custom. Australia and New Zealand received two limited editions: the Smooth Criminal pack from and the Maximum Pleasure bundle from, each of which included tie-in items along with the game and preorder content.

Though the game wasn't shown at E3 2010, THQ spoke of extensive tie-in merchandising (collectible card game, books) and a Saints Row film in production as part of a "robust transmedia play". Instead, THQ announced Saints Row: Drive By, a tie-in game for the and that would unlock content in Saints Row 3. After the game was announced in March 2011, it was featured on the cover of 's April issue. Closer to release, THQ sent rap group the a with a pre-release version of the game and asked them to record track about "all the wacky things" to do in the game. The group wrote the rap in a day and later produced a YouTube video set to clips from the game. THQ hosted an event in where women in skintight clothes pumped free gas for three hours, which generated an estimated 35 times return on investment.Eurogamer recalled that the game was "marketed almost exclusively on the basis of all the wacky stuff it will let you do" from the costumes to the sex toy weapons, and Edge described Saints Row: The Third as "marketed by sex toys and porn stars".

Two weeks before the game's release, Saints Row: The Third had four times the preorder count of Saints Row 2 at its comparable point. By January 2012, the game had shipped 3.8 million units worldwide, which THQ cited as an example for its business model change to focus on the big franchises. THQ President and CEO Brian Farrell expected to ship five to six million copies of the game in its lifetime. It had reached four million by April, and 5.5 million by the end of the year.Saints Row: The Third was an unexpected continued success for the company. It was featured in promotions with,, and Xbox Live over the next several years.

Volition released a port of the game in 2016, and with its successor, the, the next year.

Reception[]

Saints Row: The Third reviews

The game received "generally favorable" reviews, according to video game review score aggregator. Reviewers said the game did not try to be more than a good time, and described it as a variant of "ridiculous", "zany", or "absurd". In another way, others called it "juvenile". Critics praised the degree of customization options, and had mixed views of the array of activities, but found Professor Genki's Super Ethical Reality Climax a high point. Some found the game's ironic sexism to verge on misogyny, and that its other humor sometimes fell flat. Several critics referred to the game as the perfection of the Saints Row formula It was a nominee for Best Narrative at the 2012 Game Developers Conference, an IGN Editor's Choice, and a recipient of perfect scores from and .

Edge said that the series "wants to be the of open-city games", "a cartoon flipbook of anything-goes extremity" to Grand Theft Auto's "ostentatious crime drama". They wrote that the game's "single-minded" "puerile imagination" demanded respect and noted the game's escalation of video game tropes and cultural references from to to to. IGN's Daemon Hatfield called the game "an open world adult theme park". He said that calling it "a good time would be a severe understatement" and praised its method of incentivizing almost every action in the game as "fantastic game design". Hatfield was "addicted" to efficiently expanding his in-game hourly income.GamesRadar's Michael Grimm wrote Saints Row: The Third was nearly surreal, and praised the player-character's running attacks.

Referring to the historical comparison between the Saints Row and Grand Theft Auto series, Dan Whitehead of Eurogamer wrote that 's serious turn let the Saints Row series be a "gleeful silly sandbox game", and noted that Saints Row: The Third was "marketed almost exclusively" based on its wackiness, from the costumes to the sex toy weapons. He felt that the "wacky hijinks" quickly became "predictable and repetitive" and the activities felt "sanitized and generic".Edge wrote that they were "one-off gags".Eurogamer's Whitehead added that the tiger escort Guardian Angel missions appeared to draw from 's , and that the Prof. Genki's Super Ethical Reality Climax shooting gallery drew from ' shooter.Eurogamer and PC Gamer both found the game easy.

Ryan McCaffrey of Official Xbox Magazine thought that the game resolved some of the problems of open world design and thus allowed for an experience with good times and no filler, such as -style arrows on the streets instead of hidden in the minimap. He added that this was the game Volition "was born to make". Grimm from GamesRadar similarly praised Volition for their "http://deckers.die" mission, which was "so insanely creative and funny that it single handedly makes the game worth playing". He added that the game's unrealistic driving made the game more fun. IGN's Hatfield was "really won... over" by his character and both was convinced she cared about her friends and impressed by her voice actress. Whitehead of Eurogamer found Zimos, the pimp who speaks in, to be the game's best character.Edge found some of the writing "sharp" and executed well by the voice actors.PC Gamer's Tom Senior found the major story missions to be a highlight. Hatfield of IGN thought the single-player game fell apart at the end and called the two endings either "a super downer" or nonsense. He found the cooperative mode easy to set up, but felt like the game's missions were not designed well for multiple players, and that the visiting player became a "third wheel". On the other hand, 's Christina Santiago called the cooperative mode "near perfect" and exemplary.

Saints Row's weakest parts are hand-me-downs from its GTA source text, uncomfortably echoing the squalid business of pimpin’ and hustlin’ in the form of a lame cartoon, a whooping fratboyish endorsement of crime and female degradation, devoid of any conscience or commentary. GTA takes pains to voice moral unease.... the best solution to that dissonance cannot be to pitch the entire thing into a swamp of near-uniform toxicity.

Edge review, November 24, 2011

IGN's Hatfield considered the game's graphics average for the age. He "loved the neon-lit towering skyscrapers of Steelport" but thought the streets were sometimes "lifeless", as the game may be "open world" but not a "living world".Edge added that the city was easy enough to navigate, but that it was missing character. Grimm of GamesRadar said it didn't look bad, but wasn't interesting. Multiple reviewers complained of "pop-in", or of graphical errors. reported the PC version's graphics to be more stable, and Eurogamer's Digital Foundry face-off recommended the PlayStation 3 release for its lack of.

Eurogamer's Whitehead felt that the game crept closer "from ironic sexism to outright misogyny" in missions such as "Trojan Whores" and set pieces like "Tits n' Grits" and "Stikit Inn", even in the series' "gloriously lowbrow standards".Edge added that intent of humor in the -related mission "The Ho Boat" did not come across well, and seemed to be included only for. Hatfield of IGN related that some of the game's more juvenile aspects made him cringe, and Edge wrote that the game felt "largely meaningless" in response to the desensitizing barrage of "context-free frippery".PC Gamer's Tom Senior said he was almost offended during much of the game but stayed more happy than disgusted, adding that while the game has a "huge purple dildo", it doesn't have the prostitute-killing liberties or "other moments of nastiness" associated with the Grand Theft Auto franchise.

Whitehead of Eurogamer wrote in conclusion that the game doesn't propose "anything particularly inventive" and instead ends up with a toy box of gadgets.Edge felt that the game was weakest where it leaned on Grand Theft Auto's precedent without adding a social commentary.Eurogamer's Whitehead added that Saints Row: The Third missed an opportunity to separate from "the GTA formula", which Edge thought was done well in the last third of the game. IGN, however, felt the game was explicitly not a Grand Theft Auto clone, and G4 called it "a knockoff no more".

During an interview on the future of THQ in June 2012, its president, Jason Rubin, responded to the interviewer's concerns that Saints Row: The Third was not a game he wanted to play in front of his family by saying that, while he does not consider there to be no place in the company "for a game that features a purple dildo", Volition chose that route because of the limited options and their "environment at the time", and he was looking to push the publisher and its studios to do better.

Downloadable content[]

Main articles: and

has included additional story missions, weapons, and characters. A "definitive edition", er sucht sie lustige anzeige Saints Row: The Third – The Full Package, contains all post-release downloadable content—including all three mission packs ("Genkibowl VII", "Gangstas in Space", and "The Trouble with Clones") and bonus items (clothes, vehicles, and weapons)—in addition to the main game. The Full Package was announced in September 2012 for release two months later on PC, PlayStation 3, and Xbox 360.

THQ announced an standalone expansion as an joke in 2012. It was confirmed as in development the next month. In Enter the Dominatrix, the alien commander männer mit bart kennenlernen Zinyak imprisons the Saints' leader in a simulation of Steelport called The Dominatrix so as to prevent interference when he takes over the planet. The expansion also added for the player-character. In June, THQ said the expansion would be wrapped into a full sequel, tentatively titled "The Next Great Sequel in the Saints Row Franchise" and scheduled for a 2013 release. Parts of Enter the Dominatrix that weren't incorporated into the sequel, , were later released as downloadable content for the new title, under the same name.

  1. er sucht sie lustige anzeige Eurogamer called Steelport a cross between and. An introductory mission explains the gang's exit from, where the first two games were set.
  2. The three gang personalities are the European-esque Morningstar, the Mexican wrestler Luchadores, and the "cyberpunk hacker" Deckers.
  3. In a change from previous games, grenades have been removed from the weapon selection wheel for their own dedicated button, and food has been removed altogether in exchange for faster health regeneration.
  4. Cooperative gameplay is "drop-in and drop-out" such that players can come and go with their individual game progress saved for later single-player play. Also the online modes require a paid.
  5. Cars customizations include wheel spikes, and weapon upgrades add extra firepower and aesthetic features. Player customization options allow for non-human avatars such as aliens, super heroes, and zombies, and can be recustomized later through plastic surgery locations.
  6. Activities involving trucks leaking, blazing, and celebrity defense were removed, though activities such as helicopter assaults and prostitute escorts were kept. New diversions include Trailblazer (where the player avoids obstacles while racing down a ), Guardian Angel (where the player must drive fast to placate a tiger in the passenger seat), Trafficking (where the player delivers drugs), and Prof. Genki's Super Ethical Reality Climax (an "arena-style shooting gallery").
  7. Purchased property brings in an hourly income for the player.
  8. These abilities and unlocks are upgraded in increments. By level 50, the maximum player level, the player can become fully invulnerable to bullets, fire, and fall damage, and additionally have unlimited ammo with no reloading time.
  9. Phillips and producer Greg Donovan, meanwhile, had only been with the series since Saints Row 2.
  10. Some other weapon ideas were cut from the game for being more "distasteful" than "over the top", one such rejected item was the "fart in a jar" that incapacitated foes by making them vomit. This item was later included in the game.
  11. The headset is not compatible with Xbox Live or PlayStation Network.
  12. The Smooth Criminal edition included sunglasses, an ice cube tray, cuff links, and the soundtrack, while the Maximum Pleasure edition included a replica of Genki's head, a Genki key ring, and a pen.
  13. Saints Row: Drive By was canceled the next year (May 2011) without comment.
  14. called the THQ Humble Bundle "a quick success" for grossing $2 million its first day.
  15. Game Informer compared Professor Genki's Super Ethical Reality Climax with the 1987 action film .
  16. Rubin acknowledged that also featured such an item, stating that it worked for that series in particular.
  17. The Full Package was released on November 6, 2012, in North America, and ten days later internationally.

References[]

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  2. ^ Marius Nestor.. Softpedia. Retrieved April 15, 2016. 
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  6. Harris, John (September 26, 2007).. .. from the original on May 21, 2014. Retrieved May 21, 2014. 
  7. ^ Whitehead, Dan (November 15, 2011).. . Gamer Network. from the original on May 17, 2014. Retrieved May 17, 2014. 
  8. ^ Hatfield, Daemon (November 11, 2011).. .. from the original on May 17, 2014. Retrieved May 17, 2014. 
  9. ^ Santiago, Christina (December 1, 2011)... from the original on May 21, 2014. Retrieved May 21, 2014. 
  10. ^ Senior, Tom (November 11, 2011).. .. from the original on May 17, 2014. Retrieved May 17, 2014. 
  11. ^ Rosenberg, Adam (November 11, 2011)... from the original on May 17, 2014. Retrieved May 17, 2014. 
  12. ^ Grimm, Michael (July 16, 2012).. .. from the original on May 17, 2014. Retrieved May 17, 2014. 
  13. de Matos, Xav (October 19, 2011).. .. from the original on May 18, 2014. Retrieved May 18, 2014. 
  14. ^ Curtis, Tom (March 8, 2012).. .. from the original on May 17, 2014. Retrieved May 17, 2014. 
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  16. Guttridge, Luke (September 25, 2008).. Play.tm. Ferrago. from the original on May 17, 2014. Retrieved May 17, 2014. 
  17. Thorsen, Tor (October 27, 2008).. .. from the original on May 17, 2014. Retrieved May 17, 2014. 
  18. ^ Plante, Chris (March 8, 2012).. .. from the original on May 17, 2014. Retrieved May 17, 2014. 
  19. ^ Procter, Lewie (March 9, 2012).. . from the original on May 17, 2014. Retrieved May 17, 2014. 
  20. Winterhalter, Ryan (March 8, 2012).. .. from the original on May 17, 2014. Retrieved May 17, 2014. 
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General references
  • Ryckert, Dan (April 2011). "Embracing the Crazy". . GameStop (216): 48–57. 

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Zahra Doejune 2, 2017
Morbi gravida, sem non egestas ullamcorper, tellus ante laoreet nisl, id iaculis urna eros vel turpis curabitur.
Zahra Doejune 2, 2017
Morbi gravida, sem non egestas ullamcorper, tellus ante laoreet nisl, id iaculis urna eros vel turpis curabitur.
Zahra Doejune 2, 2017
Morbi gravida, sem non egestas ullamcorper, tellus ante laoreet nisl, id iaculis urna eros vel turpis curabitur.

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